Noah Scalin
artist

founder/creative director
Another Limited Rebellion

creator of
Skull-A-Day Project

author of
SKULLS book

creator of
League of Space Pirates

editor of
Another Limited Rebellion blog

on
Twitter

on
LinkedIn

on
Flickr

on
del.icio.us

on
Wikipedia


contact

804.321.6677

WORKS

2009

After Life - installation

After Life - installation

AFTER LIFE


“After Life” is a cabinet of curiosities, an archive of disparate objects that only hints at the experiences and stories behind their creation/discovery. The majority of what remains from the Skull-A-Day project is on display. Most of the original 365 skulls were purely ephemeral only recorded as a digital image. A few of the ones on display no longer reflect their original form as time has aged and transformed them into something other. In one case, the large pile of matches that made up #304 (Don’t Play with) Matches Skull is displayed merely as the burned void where it once sat, accompanied by a video record of its destruction.
After Life is also an opportunity to revisit a project that is both dead and yet still very alive. While I no longer make daily skulls, the images I created continue to mutate and grow. In some cases they have ended up in licensed products (books, t-shirts, cardboard puzzles, wallpaper, fabric) both legal and illegal, taking on the sheen of commercial production. In other cases I’ve partnered with skilled artisans to explode the skulls outward, no longer restricted by the one-day rule, taking commercial production into the world of art. 

Bestia Urbanis

Bestia Urbanis

BESTIA URBANIS


I and several other artists were asked to create public art using existing newspaper boxes. There were no rules, other than the box needed to remain functional. Bestia Urbanis is approachable urban wildlife. It is art that is meant for interaction rather than just observation. It has soft fur that encourages petting and a face that is drawn in chalk and can be erased and replaced with supplies inside the box. The creature, much like the newspaper industry that it comes from, is endangered and possibly on its way to extinction.

2008

Skulls – selected images

Skulls – selected images

SKULLS

A series of large format prints of images from my year-long Skull-A-Day project. The large majority of the images that were made for the project were purely ephemeral, only existing as photographic evidence of the day’s work. Many were made from volatile materials or in locations where they could not be preserved. The symbol of the skull is continually recontextualized as it is made from a wide range of materials. Since it is a universally known icon an extremely wide audience can appreciate and interpret the work through their own societal lenses. Social commentary is inevitable as well and encouraged, though the point-of-view is not meant to be implicit. The project itself is a large scale meditation on death in the classical Memento Mori fashion, where the constant awareness of death leads to a better appreciation for life. The act of skull-making is ultimately a life affirming act of creation even as inevitable destruction draws nearer. 

This Page Has Been Intentionally Left Blank

This Page Has Been Intentionally Left Blank

THIS PAGE INTENTIONALLY LEFT BLANK

A grouping of framed pages from the backs of booklets provided by an insurance company, they all have the phrase “This page has been intentionally left blank” written on them. The irony of marking a page and stating it is blank, goes well with an industry that seems to penalize people for using their services. The grouping of attached thrift store frames is designed to evoke the wall of a grandparent’s house; with multiple family photos grouped together. Empty frames are a sign of loss, but what does it mean when people’s lives are empty by choice?

2007

Alone Again Or – ongoing series

Alone Again Or – ongoing series

ALONE AGAIN OR

An ongoing series of photographs documenting the experience of being alone (even when one is surrounded by people). The images are generally taken without the knowledge of the subjects, so the act of the photographer is that of a loner, someone viewing things from the sidelines, rather than a participant. The specific stories of the people involved are unknown and are only a speculation on the part of the viewer, a reflection of one’s internal feelings and memories of loneliness. 

Sense of Place – ongoing series

Sense of Place – ongoing series

SENSE OF PLACE

An ongoing series of photographs about architectural spaces that are the result of the interaction of several disparate elements that have come together out of necessity for functional living experiences rather than a single coherent vision. The spaces are devoid of people, but speak loudly about the ones that are meant to be there.

2005

Safe

Safe

SAFE

A miniature room that implies a vastly larger space inside than can actually exist. A solitary figure waits at their window forever afraid to leave the safety of their home. In context, the title is a play on the guidelines given by the US government for creating safe home environments in the wake of September 11th. Rather than giving people comfort, they created a sense of unease and an unrealistic fear of invisible enemies hiding around every corner. 

2004

Plant The Piece/Swords Into Plowshares – with Christopher Humes

Plant The Piece/Swords Into Plowshares – with Christopher Humes

PLANT THE PIECE/SWORDS INTO PLOWSHARES

Working with fellow artist Christopher Humes, we created a nine-month long art project about murder in Richmond, Virginia. The city’s violent death rate is among the highest in the country and yet, very little is being done in the community to address it. Using the traditional art of seed ball making (which embeds plant seeds in dirt/clay balls for ease of dissemination) replica guns were created, one for each person murdered in the city (most by gunshots). The guns are an inversion of the destructive use of firearms, creating life rather than taking it away. The exhibition consisted of monthly space-specific installations, that moved from location to location around the city, while increasing in size as the number of deaths grew. The project was shown in formal art settings, as well as non-traditional spaces, so that the largest possible audience could interact with the project. The piece culminated in with a community roundtable discussion about how the city could better address the issues that fueled the work. The individual seed guns continue to be displayed around the world.

Flesh

Flesh

FLESH

After a flood destroyed the contents of my basement I documented many of the items that had been transformed by the water that submerged them. These fleshy pictures are of an unused roll of pink fiberglass insulation. The water has completely undermined the function of the insulation, and the resulting forms, which take on biological quality, are less than enticing, especially since the material is dangerous when handled improperly. 

2003

Fortunate

Fortunate

FORTUNATE

Large hand-painted reproductions of actual fortune cookie fortunes that I had collected over the course of several years. These were not every fortune received, but only the ones that seemed to resonate at the moment they were delivered with the bill. The little notes would be found periodically in my wallet and came to be seen as a set of reminders of a life I wanted to live and an appreciation for my life so far. Creation of the banners was a tedious process that forced me to focus on the meaning of the words as I carefully traced and painted each letter. The installation was a temple-like environment where people wandered through a maze of banners tilting their heads to read, their faces mostly blocked from one another. 

2002

Detritus

Detritus

DETRITUS

Enlargements from a strip of film found on the street. The images from a stag movie, that were meant for mere titillation, have become model studies in light and shadow. The marks and scratches from being trampled underfoot, seem more like something created by an artist’s hand, a commentary on the treatment of women’s bodies by both men and time. 

2001

Fear

Fear

FEAR

Made shortly after 9-11 this piece, a multiple for the Art-o-mat project, is a response to what was happening in the US at that time. The fear, encouraged by the US government, paralyzed the nation and promoted a hatred of outsiders rather than building on the goodwill extended by the rest of the world when we were experiencing the biggest tragedy of a generation. The sponge encased in plastic can no longer function and is permanently inaccessible, even though it looks as fresh as the day the piece was made.

EXHIBITIONS

2010

Poe's Playground (invitational) – Piedmont Arts Association, Martinsville, VA

2009

Small Wonder (invitational) – 1708 Gallery, Richmond, VA

Poster4Tomorrow (juried exhibition) – www.Poster4Tomorrow.org, 23 International Galleries

What Can You Do With The City (curated exhibition) – Graham Foundation, Chicago, IL

Think Small 5 (invitational) – Artspace, Richmond, VA

Goulash (group exhibition) – Gallery 5, Richmond, VA

Skull-A-Day (solo display) – Mütter Museum, Philadelphia, PA

Skull-A-Day (invitational based on Skull-A-Day project) – Sandusky Cultural Center, Sandusky, OH

Skulls (solo exhibition) – Chaos Gallery/Museum of Death, Hollywood, CA

After Life (solo exhibition) – Quirk Gallery, Richmond, VA

Poe's Playground (invitational) – Linden Row Inn (1708 Gallery satellite), Richmond, VA

Whodunnit (invitational) – Ghostprint Gallery, Richmond, VA

Unboxed (invitational) – Ghostprint Gallery, Richmond, VA

2008

Not So Silent Night (invitational) – 1708 Gallery, Richmond, VA

Art In A Box (invitational) – Art6, Richmond, VA

SKULLS (solo exhibition) – Chop Suey Tuey, Richmond, VA

What You Can Do With the City (curated exhibition) – Canadian Center for Architecture, Quebec, Canada

Other (invitational) – PVCC, Charlottesville, VA

Take Action! (juried exhibition) – Museum of World Culture, Gothenburg, Sweden

2007

Skull-A-Day [through June 2008] www.skulladay.com

Artivism 2 (juried exhibition) – McGuffy Art Center, Charlottesville, VA

Think Small 4 (invitational) – Artspace/Art 6, Richmond, VA

2006

Small Works: Silent Night (invitational) – 1708 Gallery, Richmond, VA

2005

Think Small 3 (invitational) – Artspace/Art 6, Richmond, VA

Small Works (invitational) – 1708 Gallery, Richmond, VA

2004

Swords Into Plowshares [with Christopher Humes] (solo exhibition) – Upcast Gallery, Richmond, VA

Swords Into Plowshares [with Christopher Humes] (solo exhibition) – Chop Suey, Richmond, VA

Art for Our Time (invitational) – Plant Zero, Richmond, VA

Silent Night (invitational) – 1708 Gallery, Richmond, VA

2003

Think Small 2 (invitational) – Artspace, Richmond, VA

Fortunate (solo installation) – Artspace small gallery, Richmond, VA

2002

Writings On The Wall (invitational) – Sarah D. November Gallery, JCC, Richmond, VA

Scalin 3 (group show) – Starch Modern Home, Richmond, VA

Paradise (solo show) – Harrison St. Coffee Shop, Richmond, VA

Mirror, MirrorSarah D. November Gallery, JCC, Richmond, VA

2001

Small Works/Art-O-Mat (invitational) – 1708 Gallery, Richmond, VA

Think Small! (invitational) – Artspace, Richmond, VA

What I did on My Summer VacationSarah D. November Gallery, JCC, Richmond, VA

HONORS + AWARDS

2010

Invited Workshop Presenter: Gel Conference, NYC

Invited Speaker: Virginia Festival of The Book, Charlottesville, VA

Invited Speaker: Piedmont Virginia Community College, Charlottesville, VA

Invited Panelist: NTEN Greening Your Nonprofit's IT, NYC

Winner: Designers Skulls, Skull of The Year 2009, Germany

2009

Guest: Studio 360 WNYC radio program

Guest: No Bones About It!Mütter Museum web show

Invited Lecturer: Intuit Experience Design Forum, San Francisco, CA

Invited Lecturer: Syracuse University, Syracuse, NY

Invited Lecturer: Virginia Museum of Fine Arts Teen Symposium, Richmond, VA

Keynote Speaker: Mütter Museum Day of The Dead event, Philadelphia, PA

Invited Lecturer: LGDA 100 Show, Louisville, KY

Invited Lecturer: Stuff Richmond Creative Reuse, Richmond, VA

Invited Lecturer: 1708 Gallery Talk 20, Richmond, VA

Guest: Virginia This Morning WTVR CBS 6, Richmond, VA

Skull-A-Day.com named Blogger "Blog of Note" May 1

Invited Lecturer: Virginia Museum of Fine Arts "Teen Symposium", Richmond, VA

Invited Lecturer: New York Public Library, New York, NY

Invited Speaker: GEL Conference, NYC

Skulls included in New York Public Library's Stuff For The Teen Age 2009 list

Invited Guest Editor: UTNE Reader Blog

Invited panelist: James River Writers "Writing Show", Richmond, VA

Juror: Regional Scholastic Art & Writing Awards, Richmond, VA

Invited Speaker: Free Range Studios, Washington, DC

Skulls awarded "Top Ten 2009 Quick Picks for Reluctant Young Adult Readers" by Young Adult Library Services Association

Featured on “Show Me Your Richmond” Current.com

Featured on “Mash-Up” InRich.com June 6 & October 28

2008

Invited Speaker: Play, Richmond, VA

Guest: Martha Stewart Show

Guest: Barnes & Noble's web show Tagged!

12th Annual Webby Awards winner People's Voice Award Personal Web Site category

Invited Speaker: St. John's University, Queens, NY

PUBLISHED WORK/ARTICLES

2009

Type Fontbat - BNN, Japan

Philadelphia City Paper"Playing Dead" October 29-November 5

Funcoast.com Magazine"365 Days of Skulls" October 28

Sandusky Register"Head Bones" October 23

Design Play - Victionary, Hong Kong

Richmond Times-Dispatch "Daily meditation on death becomes a celebration of creative life" July 5

LA Weekly: Style Council "Is That A Skull In Your Bread...?" May 26

Blogs: Mad About Design - Page One, Spain

Recharge Your Design Batteries - Rotovision

How “Daily Deadlines”, June

Richmond magazine “Poe’s Playground” June

Skirt Richmond “He’s So Original” January

2008

The New York Times "Why Blog? Reason No. 92: Book Deal" March 30

RVA “The Man In Skulls” Vol 4 Issue 8

Brick Weekly "Skulls For Social Change" Jan 24-30

Weird Tales “The Bazaar” Sept/Oct

Girls & Corpses “Doilies of Death” Winter

Penthouse “Skullduggery” November

Richmond Times-Dispatch “A Skull A Day Keeps The Web Community Intrigued” May 2

Style Weekly “Looking A Head” May 28

Style Weekly “Head Case” October 22

C-ville “And Now For Something Completely Different” May 27-June 2

Make “Kingdon of the Skull” November

TheNewYorker.com “Book Bench” July 30

2007

USAToday.com "Pop Candy: Skulls For All Seasons” August 22

Poetry Magazine (cover artist) December

Step Inside Design “Head Trip” December

FHM [Germany] November

Brick Weekly (cover artist) Oct 25-31, Richmond, VA

Make "Cabinet of Horrors" October

R Home “A New Way To Put A Flower In A Gun” December

Arena [Turkey] October

Brick Weekly “Bric-A-brac” July 12-18